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The great thing about WeVideoвЂ™s editor is that it offers MUCH more than just video speed tools. Of course, if abrupt is what youвЂ™re after, then go for it. ThisвЂ™ll create fluidity instead of an abrupt change of speed.

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Pro tip: Check the Smooth in/out box to introduce a one-second transition into your slowed down (or sped up) video. Note that your clip will now be either shorter or longer on your Timeline. When youвЂ™re all done, click Save changes to put things into motion (pun intended). If youвЂ™d only like a section of your video to be slowed down or sped up, use the Range slider to specify. How slow or fast do you want things? Use the Value slider to make your video up to 10 times slower or faster. Use the Slow / Fast motion tab to adjust your speed. Select your clip and open the Clip editor (pencil icon). Step 3: Open the Clip editor and adjust speed

In order to edit media, drag your desired clips onto the Video 1 section of your Timeline. Need footage? WeVideo has over a million royalty-free stock assets at-the-ready. Pull from your computer, or import from social sites like Google Drive, Facebook, Box, Dropbox, or OneDrive. Step 2: Upload your footageД¬lick Import and choose where to upload your media from.

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In WeVideo, click Create new > Video, then select whether to use our full featured editor or a simplified version for quick edits. Customize as you wish with easy-to-use editing tools, text, music, transitions & more. Select your clip and open the Clip editor (pencil icon).Upload footage and drag it onto your Timeline.No need to fumble with less-than-stellar slow-mo video editing apps or curse the skies as you try and navigate an Adobe product.

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Whether itвЂ™s slowing down your videos or speeding вЂem up, weвЂ™ll show you how to do both in WeVideo, plus provide some tips on when to slllooow thiiiiingsssss dooooooown. Not to mention, adding a slow motion effect in post-production is wonderfully easy. Using intentional effects in marketing videos is a surefire way to boost engagement and have your audience craving more. Network.Your mission: learn how to make a slow motion video (or maybe do the exact oppositeвЂ¦). We use 1,132 videoД¬lips with 240-fps, containing 300K individual video frames, to train our Is able to produce as many intermediate frames as needed. Since none of our learned network parameters are time-dependent, our approach Of occluded pixels to the interpolated intermediate frame to avoid artifacts. Visibility maps to the warped images before fusion, we exclude the contribution Warped and linearly fused to form each intermediate frame. ToДЄddress this shortcoming, we employ another U-Net to refine the approximatedДЇlow and also predict soft visibility maps. In locally smooth regions and produce artifacts around motion boundaries.

These approximate flows, however, only work well Linearly combined at each time step to approximate the intermediateД«i-directional optical flows.

We start by computing bi-directional opticalДЇlow between the input images using a U-Net architecture. Multi-frame video interpolation, where the motion interpretation and occlusion Propose an end-to-end convolutional neural network for variable-length While most existing methods focus on single-frame interpolation, we Intermediate frame(s) to form both spatially and temporally coherent video

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Authors: Huaizu Jiang, Deqing Sun, Varun Jampani, Ming-Hsuan Yang, Erik Learned-Miller, Jan Kautz Download PDF Abstract: Given two consecutive frames, video interpolation aims at generating

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